GRAND PRIX EMANUEL FEUERMANNNovember 2022

Ludwig van Beethoven (1770–1827)
Seven Variations in E flat major for cello and piano on the aria »Bei Männern, welche Liebe fühlen« from Mozart’s opera » The Magic Flute« WoO 46
Theme. Andante | Var. I | Var. II | Var. III | Var. IV | Var. V Si prende il tempo un poco piú vivace | Var. VI Adagio | Var. VII Allegro ma non troppo

Gioachino Rossini (1792–1868)
Une Larme – Tema e Variazioni
Andantino

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Zoltán Kodály (1882–1967)
Sonate in B flat minor for cello solo op. 8
Adagio (con grand’ espressione) | Allegro molto vivace

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Ludwig van Beethoven (1770–1827)
Cello Sonata No. 4 in C major op. 102 No. 1
Andante – Allegro vivace | Adagio – Allegro vivace

Frank Bridge (1879–1941)
Scherzo and Mélodie
Scherzo. Allegro

Robert Schumann (1810–1856)
Adagio and Allegro in A flat major op. 70
Langsam, mit innigem Ausdruck | Rasch und feurig

Benjamin Britten (1913–1976)
Cello Sonata in C major op. 65
Dialogo. Allegro | Scherzo-Pizzicato. Allegretto | Elegia. Lento | Marcia. Energico | Moto perpetuo. Presto

Leoš Janáček (1854–1928)
Pohádka
Con moto – Andante | Con moto – Adagio | Allegro

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Ludwig van Beethoven (1770–1827)
Seven Variations in E flat major for cello and piano on the aria »Bei Männern, welche Liebe fühlen« from Mozart’s opera » The Magic Flute« WoO 46
Theme. Andante | Var. I | Var. II | Var. III | Var. IV | Var. V Si prende il tempo un poco piú vivace | Var. VI Adagio | Var. VII Allegro ma non troppo

Francis Poulenc (1899–1963)
Cello Sonata FP 143
Allegro – Tempo di Marcia | Cavatine | Ballabile | Finale

Jérôme Ducros (*1974)
Encore
Prestissimo

Robert Schumann (1810–1856)
Adagio and Allegro in A flat major op. 70
Langsam, mit innigem Ausdruck | Rasch und feurig | Etwas ruhiger

Ludwig van Beethoven (1770–1827)
Cello Sonata No. 4 in C major op. 102 No. 1
Andante – Allegro vivace | Adagio – Allegro vivace

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Dmitri Shostakovich (1906–1975)
Cello Sonata in D minor op. 40
Allegro moderato | Allegro | Largo | Allegro

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Ludwig van Beethoven (1770–1827)
Seven Variations in E flat major for cello and piano on the aria »Bei Männern, welche Liebe fühlen« from Mozart’s opera » The Magic Flute« WoO 46
Theme. Andante | Var. I | Var. II | Var. III | Var. IV | Var. V Si prende il tempo un poco piú vivace | Var. VI Adagio | Var. VII Allegro ma non troppo

Gaspar Cassadó (1897–1966)
Suite in D minor for cello solo
Preludio-Fantasia. Andante | Sardana (danza). Allegro giusto | Intermezzo e danza finale. Lento ma non troppo – Allegro marcato

Sergei Prokofifiev (1891–1953)
Cello Sonata in C major op. 119
Andante grave | Moderato | Allegro, ma non troppo

Ludwig van Beethoven (1770–1827)
Cello Sonata No. 4 in C major op. 102 No. 1
Andante – Allegro vivace | Adagio – Allegro vivace

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

David Popper (1843–1913)
Etude No. 20 in G minor for cello solo op. 73
Appassionato. Allegro

Isang Yun (1917–1995)
Glissées for cello solo
1 and 3 Movement

Leoš Janáček (1854–1928)
Pohádka
Con moto – Andante | Con moto – Adagio

David Popper (1843–1913)
Hungarian Rhapsody op. 68
Andante maestoso

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Ludwig van Beethoven (1770–1827)
Seven Variations in E flat major for cello and piano on the aria »Bei Männern, welche Liebe fühlen« from Mozart’s opera » The Magic Flute« WoO 46
Theme. Andante | Var. I | Var. II | Var. III | Var. IV | Var. V Si prende il tempo un poco piú vivace | Var. VI Adagio | Var. VII Allegro ma non troppo

Dmitri Shostakovich (1906–1975)
Cello Sonata in D minor op. 40
Allegro moderato | Allegro | Largo | Allegro

Ludwig van Beethoven (1770–1827)
Cello Sonata No. 4 in C major op. 102 No. 1
Andante – Allegro vivace | Adagio – Allegro vivace

Benjamin Britten (1913–1976)
Suite No. 3 in C minor for cello solo op. 87
Introduzione: Lento | Marcia: Allegro | Canto: Con moto | Barcarola: Lento | Dialogo: Allegretto | Fuga: Andante espressivo | Recitativo: Fantastico | Moto perpetuo: Presto | Passacaglia: Lento solenne

Antonín Dvořák (1841–1904)
»Waldesruhe« op. 68 No. 5
Lento e molto cantabile | Un pochettino piú mosso

Jörg Widmann (*1973)
»Aphorismen und Bagatellen« for cello solo
I Allemande | II Cantabile | III Courante | V Intermezzo Arpeggiato | VI Precipitando | IV Ostinato

Anton Arensky (1861–1906)
Danse capricieuse in D major op. 12 No. 2
Presto